\input opustex
\input opusgreg
\input eplain

\font\bigtype = hmin10 scaled \magstep2
\font\Bigtype = hmin17 scaled \magstep2


\special{papersize=148mm,210mm}

\hoffset1.5mm
\voffset-7mm
\hsize100mm
\vsize173mm

\abovesystem1
\belowsystem8

\font\rmlyrics = cmr9
\font\itlyrics = cmti9
\font\smallrm = cmr8
\font\smallrm = cmr8
\font\smold = cmmi10 scaled 900

\def\source#1\par{\rightline{\smallrm #1}}


\def\beginhymn #1.{\centerline{\bigtype {#1}}\par\bigskip}


\nopagenumbers

\beginhymn Non nobis, Domine.

%\sidx{Not unto us, Lord}

\begingroup

\resetlayout

\def\notes{\vnotes1}%semiquavers
\def\Notes{\vnotes2}%quavers
\def\NOtes{\vnotes3}%crotchets
\def\NOTes{\vnotes4}%dotcrot
\def\NOTEs{\vnotes5}%minims
\def\NOTES{\vnotes6}%dotminims

\def\lati#1{\cchar{-7}{#1}}
\def\engl#1{\cchar{-13}{\itlyrics #1}}

\rmlyrics

%\setstaffs1{1}
\setclef1{\treble}
\smallmusicsize
%\interstaff{14}
\generalmeter{\meterfrac44}
\startpiece
\NOTes\lati{Non}\rchar{14}{I}\ha{c}\mfermata\en
\NOtes\lati{no-}\rchar{14}{II$^*$}\engl{Not unto us,}\qa{d}\en
\NOtes\lati{bis,}\qa{e}\en
\bar
\NOTes\lati{Do-}\mfermata\qap{f}\en
\Notes\engl{Lord}\lati{mi-}\ca{f}\en
\NOtes\lati{ne,}\rchar{14}{III}\qa{e}\mfermata\en
\NOtes\lati{non}\qa{e}\en
\bar
\NOTEs\lati{no-}\engl{Not unto us,}\ha{d}\en
\NOTEs\lati{bis,}\ha{c}\en
\nextline
\NOtes\qr\en
\NOtes\lati{sed}\qa{g}\en
\Notes\lati{no-}\ca{'a}\en
\Notes\lati{mi-}\ca{'a}\en
\NOtes\lati{ni}\engl{but unto Thy name}\qa{f}\en
\bar
\NOTEs\lati{tu-}\ha{'c}\en
\NOtes\lati{o}\qa{'c}\en
\NOtes\lati{da}\qa{'b}\fl\en
\bar
\NOTes\lati{glo-}\engl{be the glory,}\qap{'a}\en
\Notes\lati{ri-}\ca{'a}\en
\NOTEs\lati{am,}\ha{g}\en
\nextline
\NOtes\qr\en
\NOtes\lati{sed}\qa{d}\en
\Notes\lati{no-}\ca{e}\en
\Notes\lati{mi-}\ca{e}\en
\NOtes\lati{ni}\engl{but unto Thy name}\qa{c}\en
\bar
\NOTEs\lati{tu-}\ha{g}\en
\NOtes\lati{o}\qa{g}\en
\NOtes\lati{da}\qa{f}\en
\bar
\NOTes\lati{glo-}\engl{be the glory.}\qap{e}\en
\Notes\lati{ri-}\ca{e}\en
\NOTEs\lati{am.}\ha{d}\en
\setrightrepeat
\endpiece

\endgroup

\bigskip

{\noindent\smallrm $^*$ The second part comes in on `g' below middle `c' and is sung a fourth below.}

\end